
Mathew Weir
Bitter Fruit, 2012
Oil on canvas mounted on board
59 x 43 cm
23 1/4 x 16 7/8 ins
23 1/4 x 16 7/8 ins
Copyright the artist
Bitter Fruit Weir is interested in the contrast between the depiction of black people through historical objects i.e. often negative and belittling and the seemingly idyllic, positive representation of white...
Bitter Fruit Weir is interested in the contrast between the depiction of black people through historical objects i.e. often negative and belittling and the seemingly idyllic, positive representation of white people (black boy polishes a boot, white woman picks fruit) The title ‘Bitter Fruit’ eludes to Billie Holiday’s song ‘Strange Fruit’, in particular the last line: ‘Here is a strange and bitter crop’. Together with the title, the headscarf around the figures neck and her connection to the tree could be suggestive of lynching(s) The figure’s arm disappearing or becoming part of the tree evokes the image and Greek myth of Apollo and Daphne; Apollo attempting to become one with Daphne, chases her, she escapes, and through a plea to her father is turned in to a tree, her arms becoming branches. I had in mind the painting in the National Gallery, ‘Apollo and Daphne’ by Antonio Pollaiuolo.
Exhibitions
Mathew Weir, Alison Jacques Gallery, 4 July - 27 July, London
Literature
Mathew Weir
Mathew Weir Alison Jacques Exhibition Catalogue
Art Quarters Press
2012
Page 39