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Artworks

Dorothea Tanning, Emotion I, 1988
Dorothea Tanning, Emotion I, 1988

Dorothea Tanning

Emotion I, 1988
Collage with watercolour, graphite and crayon on black paper
48 x 63.5 cm, 18 7/8 x 25 ins
68.9 x 83.8 cm, 27 1/8 x 33 ins, framed
Unique
© Artists Rights Society, New York, and ADAGP, Paris
Enquire
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Further images

  • (View a larger image of thumbnail 1 ) Thumbnail of additional image
  • (View a larger image of thumbnail 2 ) Thumbnail of additional image

Provenance

The Destina Foundation, New York, USA

Exhibitions

Dorothea Tanning: Collages, Alison Jacques Gallery, 28 June - 29 July, 2012

Dorothea Tanning: Emotions: Collages 1988, Gallery Schlesinger Ltd., New York, NY,

February 1989, checlist, cat. no. 22

Projects: Dorothea Tanning, The Albany Museum of Art, Albany, GA, 21 July - 3 September, 1989

Dorothea Tanning: Con-sequences on Paper, Sedona Museum of Art, Sedona, Arizona, 1 October - 30 November, 1991, brochure, cat. no. 14

Dorothea Tanning: Om Konst Kunde Tala (If Art Could Talk), Malmö Konsthall,
Malmö, Sweden, (retrospective), 3 April - 16 May, 1993, catalogue, cat. no. 76

Dorothea Tanning: Works 1942-1992, Camden Arts Centre, London, 17 September - 21 November, 1993, brochure

Moderate Fable: Homage to Marguerite Young,Andre Zarre Gallery, New York,
5 March - 6 April, 1996

Dorothea Tanning: Collages, Drawings, Watercolors, and a Sculpture, Zabriskie
Gallery, New York, 6 September – 13 October, 2001, cat. no. 13

Literature

Paper as Accomplice. Dorothea Tanning. New York: George Braziller, 1995, p. 211;

Caws, Mary Ann. Person: Tanning’s Self-portraiture. The Surrealist Look: An Erotics of Encounter. Cambridge, Mass: MIT Press, 1997, p. 69;

Publications

Dorothea Tanning. Retrospective exhibition catalogue. Malmö, Sweden: Malmö
Konsthall, 1993, p. 106 (color);

Henrikson, Malin. “Dorothea Tanning—Surrealismens Grand old lady med rötterna på Borgen i Hellerup.” Hallands Nyheter, April 17, 1993, p. (black and white?);

Bailly, Jean Christophe. Dorothea Tanning. New York: George Braziller, 1995, plate 268, p. 257 (color);

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