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Artworks

Hannah Wilke, Untitled, c.1966
Hannah Wilke, Untitled, c.1966

Hannah Wilke

Untitled, c.1966
Pastel, graphite on brown paper bag
24.4 x 22.9 cm, 9 5/8 x 9 in, framed
© Marsie, Emanuelle, Damon and Andrew Scharlatt, Hannah Wilke Collection & Archive, Los Angeles. Licensed by VAGA at Artist’s Rights Society (ARS), New York, DACs, London
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1. The drawings from the 1960s bear resemblance to the paintings of Abstract Expressionists such as Robert Motherwell (1915-1991), with his biomorphic forms and floating fields of colour. Mark the...
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1. The drawings from the 1960s bear resemblance to the paintings of Abstract Expressionists such as Robert Motherwell (1915-1991), with his biomorphic forms and floating fields of colour. Mark the beginning of Wilke’s interest in movement.

2. Abstraction/ suffused it with bodily connotations.

3. HW notes Abstract Expressionism and the use of colour: ‘Because I grew up in the fifties and sixties, I appreciated Abstract Expressionism, the de Koonings, the Pollock gestures, the enormous saturation that one feels through colour. I feel sexual impulses from various colours; I think we even dream in colour, have sexual experiences in colour.’ (Hannah Wilke in conversation with Cindy Nemser, 1975, as published in Hannah Wilke: Art for Life’s Sake)


commercial gallery show:
Of the Surface of Things, Alison Jacques, London, UK, 24 February - 30 April 2022
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Provenance

The Artist

Estate of Hannah Wilke
By descent to Marsie, Emanuelle, Damon, and Andrew Scharlatt
Hannah Wilke Collection & Archive, Los Angeles

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